Saturday, January 16, 2016

Dear World

I first became aware of  Ten Thousand Things theater by reading an article in The New York Times back in November and kicked myself for never having seen a show. I was immediately inspired by their purpose, bringing the power of art to nontraditional and frequently under-served audiences. Performing in prisons, reservations, homeless shelters, and rural communities, the shows are staged in a way that blur the line between actor and audience, making that pesky fourth wall a thing of the past. 

When they're not performing at these nontraditional venues, the troupe is hosted at Open Book and Bedlam Lowertown.  Opening night of Dear World was at Open Book and I loved having the opportunity to see that new-to-me space as well as see a show.   

Performances are atypical for traditional theater goers as there's no dimming of the lights, no clear demarcation between stage and audience.  Performers are on the floor, at the same level as the audience, and chairs make a square around the performance. Actors frequently make eye contact with audience members, even engage with them at points. It was interesting to me to see how other people reacted at certain moments, to see how they cocked their head to one side or laughed or grimaced. It made the experience feel more communal, less a "show" and more a shared experience. 

Dear World tells the story of a band of artistic sorts in Paris confronting a band of evil Presidents ("they are all named President") who want to destroy their little cafe by digging for oil.  It's a hyperbolic story of the small and good vs. the big and evil and despite the fact that I'm an energy attorney ("energy" includes petroleum products), I loved it.  Any "evil" would have served the same purpose, somebody has to be Goliath. 

The actors were fantastic, with beautiful voices supported by live instrument accompaniment, the show was a quick 100 minutes with intermission. Sometimes funny, sometimes sweet, each actor brought a unique voice and authority to their role. I was especially impressed by Sheena Janson's dear Nina, young and in love, and Kris Nelson's Sewer Man, fresh off his role as Bob Cratchit at the Guthrie's Christmas Carol, Nelson brings gravitas to a seemingly comical character, depth around the edges of a lighthearted song. 

Dear World shows through February 7th and I highly recommend it not only for its own sake, but for the sake of supporting Ten Thousand Things' important role as a deliverer of art to forgotten pockets of our community. 

Follow me on Twitter @TheMinneapolite

Boss' Pizza and Chicken



 Yes, the possessive form of "boss" should be "boss's," this is correct.

Now that we're past the grammatical issue, Boss' Pizza & Chicken pizza is great! Mere blocks from my house, I've driven by this kinda dive-looking corner pizza place a million times but only recently made an order. I didn't know until it arrived that it was a thin crust style (thicker crusts and gluten free crusts available), and that was a pleasant surprise. Growing up in St. Louis, I'm a sucker for that style of crust, thin and crispy without being too cracker-ish. This was a really solid showing, definitely the best version of that crust I've had in the Cities. The veggie pizza is pictured and my church group also shared a pepperoni and sausage.  I ordered over the phone and despite ordering at prime supper time, the pizzas arrived in under half an hour.  I realize part of the speed could be my proximity, but I was impressed nonetheless.

Their menu includes a host of chicken options, too, and I've heard solid accolades from neighborhood folks for the wings.   I'm also intrigued by their broasted chicken, which I bet would win raves as a last minute pick-up for dinner. Whip up a couple easy sides, plop some broasted chicken on the table, that would surely make you a hero. You can also order any pizza topping/variation as a calzone. But for now I'm just happy to know that the corner spot minutes from me makes a great thin crust pie!

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612 Sauna Society


IMG_1682As stated in the byline of this blog, I am not a native Minnesotan. I grew up in equal parts in Arkansas and Missouri, the former not being known for snow, and the latter not being known for snow that sticks around longer than a week. I don't consider myself to be a hearty winter-lover.  I'm a winter survivor. A muddle-througher. I feel like the 612 Sauna Society was made as much for me as it was for you crazy Minnesotan folks who like to jump in hot tubs and then roll in snow banks (*eye roll*). 


As its name suggests, the society is all about bringing saunas to the people and celebrating the lifestyle of sauna enthusiasts (which I did not know was a thing). It's a fun conglomerate of folks who love saunas, specifically saunas in the dead of winter. Recently the society teamed up with Little Box Sauna to bring their tiny box saunas to areas around town.  Selling tickets for $16 for 90 minutes, the sauna has just enough room for 8-10 people. 90 minutes is plenty of time, too. The sauna is split into two parts, a small changing area with curtains for privacy, and the sauna itself. My friend and I tended to stay in the sauna in 20 minute increments, taking a breather every once in awhile to cool off.  With the temps outside on a nose dive, it felt wonderful to really bake for awhile.  As the sauna was parked right by Blackbird Cafe, we trotted over there for their beer + burger night after toasting our insides thoroughly.  I slept like the dead.

Reservations are available here through Jan 17th, but hopefully the Little Box Sauna will pop up elsewhere soon.  It would be a fun thing to organize for an event, too.

Picture taken from the 612 Sauna Society webpage.


Wednesday, January 6, 2016

A Gentleman's Guide to Love & Murder


Feature imageThe State Theatre is my favorite venue on the downtown strip of Hennepin, all fancy curtains and ornate woodwork. And it is the perfect setting for the fancy, albeit bloody, shenanigans of Monty D. Navarro in A Gentleman's Guide to Love & Murder. I'd heard a bit of the music from this musical as I can never refrain from exploring the Tony-winning stuff, but I'd never seen the show.  I brought my kid sister and we thoroughly enjoyed this quick, witty, murderous comedy.
The cast is fantastic. Led by our hero (can we call him that if he likes to kill people?), Kevin Massey as Monty Navarro, and joined by a stunning John Rapson, who plays eight characters, sometimes in miraculous succession, the voices rounding out this show deliver hilarious asides with the same punch as a soaring solo. The ladies don't slouch either, as Kristen Beth Williams and Adrienne Eller, as Sibella and Phoebe respectively, inspire just as many laughs and rounds of applause as the leading men. I was struck by how quickly the 2 hours and 20 minutes (including intermission) sped by, never a dull pause. 
Murder is in the title, and it's central to the plot, but this isn't a remotely scary show so don't worry about bringing kiddos or fraidy cats. The house was packed last night for the opening, so I wouldn't waste time in grabbing tickets.  Showing at the State Theatre through January 10th, don't forget to check out the discounts for teachers, students, and military. 

Follow me on Twitter @TheMinneapolite