Pippin

My impression of Pippin before last night was largely formed by having viewed several high school variations.  High school theater teachers can't get enough of Bob Fosse, and that's perfectly okay. While I knew the musical had been revived to wide acclaim, I hadn't done much research on the reborn version, so I was surprised (stunned?) by the athletic, exuberant show currently enjoying a short run at the Orpheum. 

The choreography is still Bob Fosse-inspired, hallelujah, and even the aerial acrobatics have that languid-but-somehow-sharp pop of movement with each beat. The audience oohed and aahed at multiple feats of athleticism throughout the night and I will admit that I may have lifted more weights at the gym today as a result of seeing that many handstands and back flips.

A powerful Sasha Allen (of The Voice fame) takes the stage first as the Leading Player and her remarkable vocals carry the audience from scene to scene. I never watched The Voice, but holy crap can Sasha sing. She adds a certain Beyonce swagger to the role, not in imitation of that other singer, the Leading Player is solidly Allen's own, but that's the best comparison I can think of for a similar impression of both skill and confidence. She's Pippin's greatest champion and, in the end, a temptress, and Allen nails every aspect of that balancing act.

Pippin himself, played by Sam Lips, who played the title role on Broadway, is equal parts handsome, troubled, and awkward, often playing up his confusion and maladroit approach to every obstacle to the audience's delight. There were times I wished for a deeper, more powerful sound from him.  But overall he captured Pippin's plight with ease.

An absolutely stunning supporting cast make Pippin and the Leading Player's storytelling all the more fun to watch. Not only does the choreography move the audience along at a pace that feels far faster than it is, the actors carry that pace with enthusiasm. To almost standing-ovation-in-the-middle-of-the-show applause, Priscilla Lopez wows with a sassy, funny, touching, and ridiculously athletic performance of "No Time at All."  Similarly impressive is John Rubinstein, as Charles, who originated the Pippin role in 1972. Rubinstein is quick on his feet and quicker with his tongue, inspiring some of the biggest laughs of the night.

Rounding out the cast are stellar performances by Kristine Reese as Catherine and Sabrina Harper as Fastrada, each with soaring vocals and perfectly honed comedic and dramatic timing. Both get their share of laughs and Reese pulls at the heartstrings well as the love interest that throws Pippin's grand plans into turmoil.

A fantastic company of singers and circus professionals rounds out the stage and every tumble, leap, and hula hoop is perfectly placed. A joy to watch, Pippin is powerfully sung and beautifully choreographed, with a coming-of-age story that doesn't seem to age.

Playing through Sunday, Feb 22nd, you can buy your tickets at the Hennepin Theatre Trust website here.  Don't forget to take advantage of the ticket discounts for teachers, students, and military.

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